This original sketchbook by Gunther Gerzso was drawn in 1943-46 when the young artist was strongly influenced by the circle of Benjamin Péret and the European artists exiled in Mexico during the 1940s.
The book presents a striking record of Gerzso’s close ties to the Surrealists in Mexico, including Wolfgang Paalen, André Breton, Remedios Varo, César Moro and Alice Rahon. Their interest in pre-Columbian art became the foundation for Gerzso’s eventual style, a version of geometric abstraction inspired by the landscape and ancient culture of Mexico.
This notebook consists of 54 original drawings done by carbon transfer, some augmented with India ink, frottage and colored pencils. In addition there is an actual drawing done on carbon paper, which was discovered in the artist’s studio along with the sketchbook.
The following is a selection of drawings from the surrealist sketchbook
As part of Master Drawings New York 2014, Mary-Anne Martin Fine Art will present 20 digital drawings created on the iPad by Mexican painter and muralist Elena Climent. Output as giclée prints, the works will be mounted side by side with actual iPads showing the step-by-step progression of the drawings from first outline to completed work. Climent, who is interested in the link between traditional methods of drawing and electronic drawing in the 21st Century, compares the ability of the iPad “Zoom” feature to show details not visible to the naked eye with Vermeer’s use of the camera obscura to investigate tiny visual details he later included in his paintings – details that can only be seen using a magnifying glass.
In the artist’s own words, “When making art on an iPad, you are creating a pure image with no physical weight or texture or temperature. You are not mixing colors on a palette until you find the exact hue; you are not thinning the paint with turpentine to make it more transparent; you are not interacting with the behavior of the surface, whether canvas, paper, wood, tin or any other. There is no drying time, no humidity factor, no cracking. Creating art on an iPad or computer is the closest I have ever felt to drawing or painting directly from my mind. I look, I think, I decide what color I want and I make it happen on the screen. I have learned to mix colors in my brain. My experience with iPad art has taught me that even something as seemingly cold, industrial and impersonal as a computer screen can become intimate, personal and poetic.”
There will be an opening reception at the gallery on January 24 from 4:00-8:00. The exhibition continues through Friday February 21, 2014. Please call for hours.
The online catalogue for Isabel De Obaldía: Metates is now available. The fully illustrated catalogue includes an introductory essay by Lowery Stokes Sims, curator of the Museum of Arts and Design, NY, and a scholarly article by Dicey Taylor titled, The Ancient Metates of Panama.
Print versions of the catalogue will be available at the gallery starting November 15, 2013.
Opening November 15, 2013
On view through December 13, 2013
For this exhibition the artist has created 13 new sculptures based on Pre-Columbian prototypes. The show will be accompanied by an illustrated catalogue with an introductory essay by Lowery Stokes Sims, curator of the Museum of Arts and Design, NY, and a scholarly article by Dicey Taylor titled, The Ancient Metates of Panama.
According to Dr. Taylor, an expert on Pre-Columbian art and archaeology, “The glass sculptures of Isabel De Obaldía evoke the ancient spirits of Panama’s rainforests and seas. Many of her pieces have rustic textures that infuse her powerful forms with a compelling force, echoing the volcanic stone sculptures of ancient times.”
This is De Obaldía’s sixth solo exhibition at Mary-Anne Martin Fine Art. In 2009 the artist was awarded the Rakow Commission from the Corning Museum of Glass and in 2011 she was the subject of a retrospective exhibition at the Museum of Art Fort Lauderdale.
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