Video: Unframing David Alfaro Siqueiros’s “Self-Portrait with Mirror”

Self-Portrait with Mirror exemplifies David Alfaro Siqueiros’s deep interest in radical techniques and materials. Painted in 1936, while Siqueiros was conducting the Experimental Workshop in New York City at 5 West 14th St., the work is airbrushed with pyroxylin on a sheet of Bakelite. Pyroxylin (Duco) paint is a nitrocellulose paint manufactured for the automobile industry. Dr. Irene Herner, the highly esteemed expert on Siqueiros, visited Mary-Anne Martin|Fine Art to view and research the painting. The work was taken out of the frame so that its highly unusual medium could be examined.

Video credit: Deborah Roan

Installation Shots: David Alfaro Siqueiros

Mary-Anne Martin|Fine Art presents a mini exhibition of seminal works by David Alfaro Siqueiros, spanning twenty years of his career. Self-Portrait with Mirror (1937) is being exhibited to the public for the first time since 1937.

 

Works on view

Landscape (Taxco), c. 1931

Self-Portrait with Mirror, 1937

La Patrona, 1939

Retrato de Señorita Martita Orrego Matte, 1942 (Private Collection)

The Good Neighbor Policy, 1951 (Private Collection)

 

Leonora Carrington Drawings and Watercolors, 1941 – 2002

As part of Master Drawings New York 2017, Mary-Anne Martin|Fine Art will exhibit a selection of works on paper by Surrealist artist Leonora Carrington celebrating the centennial year of her birth. Carrington’s intelligence, humor, and technical skills are readily apparent in her drawings, which offer viewers an insight into her artistic process and vivid imagination. The show will include studies for paintings and prints, costume sketches and set designs, diary notes and political satire. These 30 works span Carrington’s career, and many are being exhibited publicly for the first time.

Master Drawings New York runs from January 21 through January 28. Please visit the Master Drawings website or call the gallery for hours. There is a preview at the gallery on January 20, from 4 to 8 pm. The Carrington exhibition at Mary-Anne Martin|Fine Art will continue through Wednesday, February 22. Selected paintings and sculptures will also be on view.

The following is a selection of works from the exhibition.

Images © 2017 Estate of Leonora Carrington / Artists Rights Society (ARS), New York

 

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A Visit with Isabel De Obaldía

On a recent trip to Panama, travel enthusiast and blogger Vanessa Grall, founder of the blog Messy Nessy Chic, visited the studio of renowned sculptor Isabel De Obaldía. Besides getting a firsthand look at De Obaldía’s artistic process, Grall was interested to learn more about the history of Panama. De Obaldía took her on a drive through her neighborhood, which was originally built and occupied by American military personnel.

Read The Living American Ghost Towns of Panama for a tour of the artist’s studio, including photos and a video of her work in progress, and a look back into the history of Panama.

Visit Isabel De Obaldía’s website

See available works by Isabel De Obaldía at Mary-Anne Martin|Fine Art

 

Isabel De Obaldía's studio. Photo courtesy of Messy Nessy Chic.
Isabel De Obaldía’s studio. Photo courtesy of Messy Nessy Chic.
Isabel De Obaldia
The artist in her home. Photo courtesy of Messy Nessy Chic.

 

Drawings by the Muralists

Mary-Anne Martin|Fine Art is exhibiting a selection of works on paper by Mexican muralists Leonora Carrington, Elena Climent, José Clemente Orozco, Diego Rivera and Rufino Tamayo. The exhibition is on view through February 19, 2016.

The following is a selection of works from the exhibition.

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Gunther Gerzso: The Surrealist Sketchbook 1943 – 1946

This original sketchbook by Gunther Gerzso was drawn in 1943-46 when the young artist was strongly influenced by the circle of Benjamin Péret and the European artists exiled in Mexico during the 1940s.

The book presents a striking record of Gerzso’s close ties to the Surrealists in Mexico, including Wolfgang Paalen, André Breton, Remedios Varo, César Moro and Alice Rahon. Their interest in pre-Columbian art became the foundation for Gerzso’s eventual style, a version of geometric abstraction inspired by the landscape and ancient culture of Mexico.

This notebook consists of 54 original drawings done by carbon transfer, some augmented with India ink, frottage and colored pencils. In addition there is an actual drawing done on carbon paper, which was discovered in the artist’s studio along with the sketchbook.

The following is a selection of drawings from the surrealist sketchbook

 

Elena Climent: Drawing with Light

As part of Master Drawings New York 2014, Mary-Anne Martin Fine Art will present 20 digital drawings created on the iPad by Mexican painter and muralist Elena Climent. Output as giclée prints, the works will be mounted side by side with actual iPads showing the step-by-step progression of the drawings from first outline to completed work. Climent, who is interested in the link between traditional methods of drawing and electronic drawing in the 21st Century, compares the ability of the iPad “Zoom” feature to show details not visible to the naked eye with Vermeer’s use of the camera obscura to investigate tiny visual details he later included in his paintings – details that can only be seen using a magnifying glass.

In the artist’s own words, “When making art on an iPad, you are creating a pure image with no physical weight or texture or temperature. You are not mixing colors on a palette until you find the exact hue; you are not thinning the paint with turpentine to make it more transparent; you are not interacting with the behavior of the surface, whether canvas, paper, wood, tin or any other. There is no drying time, no humidity factor, no cracking.  Creating art on an iPad or computer is the closest I have ever felt to drawing or painting directly from my mind.  I look, I think, I decide what color I want and I make it happen on the screen.  I have learned to mix colors in my brain. My experience with iPad art has taught me that even something as seemingly cold, industrial and impersonal as a computer screen can become intimate, personal and poetic.”

There will be an opening reception at the gallery on January 24 from 4:00-8:00. The exhibition continues through Friday February 21, 2014. Please call for hours.